The twisting yet leisurely opening theme in F is stated in the cellos and basses and is soon picked up and embellished by the soloist. The Clarinet Concerto was one of the three items chosen for the gala concert in Copenhagen celebrating the th anniversary of Carl Nielsen's birth. He was sixty-three, and had achieved considerable renown throughout Scandinavia; yet he was disappointed that his music had not reached a wider audience, he was deeply concerned with the unsettled state of the world, and he knew that his days were numbered. From Wikipedia, the free encyclopedia.
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Carl Nielsen 's Concerto for Clarinet and orchestra, op.
Sexy Trippy All Moods. Jazz Latin New Age. Views Read Edit View history. In his admirably thorough study of Carl Nielsen and his music, Robert Simpson points out what inventive use the composer made of tonalityand this at a time when other composers threw it over for atonality.
Concertos- Orchestral Works, Volume 2. Very interesting further reading is provided by posts by Eric Nelson on 9 and 11 February on the Klarinet reflector. An incisive cadenza by the soloist precedes the recapitulation in which the key conflict continues. There is much stormy strife between the soloist and the orchestra and between the two principal competing keys. The work is in one movement, although musicologists generally discern four linked ones.
Clarinet Concerto (Nielsen)
A more lyrical second theme emerges in the dominant key of C but the snare drum soon disrupts conceerto, recalling that effective use of the percussion instrument in the Fifth Symphony. Eschewing the large classical concerto form, Nielsen has cast the Clarinet Concerto in one continuous movement. Concerto for clarinet Op57; Crusell: He was sixty-three, and had achieved considerable renown throughout Scandinavia; yet he was disappointed that his music had not reached a wider audience, he was deeply concerned with the unsettled state of the world, and he knew that his days were numbered.
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Clarinet Concerto, FS129 (Op. 57)
This makes the Dane's death at 66 seem all the more premature when one looks at the Fifth and Sixth Symphonies, Commotio for organ, and the Flute and Clarinet Concertos. The latter is then taken up by the clarinet who "improvises" wildly upon it, interacting with the rest of the orchestra.
Another explanation for this is that the clarinetist for whom he was writing the concerto had a bi-polar disorder.
There could hardly be any further proof needed that Nielsen was a composer of the twentieth century despite his chronological grouping with the Post-Romantics.
Therefore, the concerto was poking fun at his constant mood swings.
Clarinet Concerto (Nielsen) - Wikipedia
The same performers gave the premiere in Copenhagen on October 11 of that same year, when it met with a decidedly mixed reception. Clarinet concertos Compositions by Carl Nielsen compositions. Because of the prominence of the snare drum line in the piece, a snare drum is still called for in the piano reduction.
The soloist intones a few wistful, nebulous notes as the work seems to lightly touch down to its conclusion. This challenge, as well as the frequently improvisatory quality of the soloist's part, indicate why such musicians as the late Benny Goodman "crossed lines" to tackle this concerto.
Perhaps this accounts for the bitter struggle which occurs throughout this concerto—a conferto between the tonalities of F major and E major.
That same year, he wrote his Wind Quintet expressly for this ensemble. Lecture given at a master class at the University of Iowa. He was struck by the tonal beauty and musicianship of this group, and he soon became intimately acquainted with its members.
The last movement of this work is a theme and variations depicting in music the personalities of the five players and their respective instruments, much in the manner that Elgar portrayed his friends in the Enigma Variations.
The Clarinet Concerto was claeinet during the most difficult period in Nielsen's life.
This extended and active dialog subsides and changes to duple time; a long unwinding melody in the bassoon, which is transformed into a cadenza by the soloist, marks a transition to the finale. This page was last edited on 3 Juneat John Manasse plays 3 Clarinet Concertos.
This is followed by a Poco adagiointerrupted several times by quicker, more disturbed sections.